Exploring the Theatrical Tapestry with Mila Besson: A Conversation on Art, Immigrants, and Shakespeare

Edition Sixty- Week Sixty:

Written by: Jacob West

As the curtains closed on a chilly evening just before Christmas, I found myself enchanted by the vibrant showcase, “Flatery In Friendship,” at the Nubox Theatre in Hell’s Kitchen. The event, presented by RiffRaff NYC, was a captivating compilation of scenes, monologues, and songs from the timeless works of Shakespeare. One performance, in particular, left an indelible mark – Mila Besson’s rendition of Rosalind from “As You Like It.”

Mila Besson, a French Italian actor, director, and writer based in the heart of New York City, brought Rosalind’s character to life with a magnetic energy that transcended the stage. This showcase was not just a celebration of talent; it was a testament to RiffRaff NYC’s noble mission to cast 50% immigrant actors in all their productions, contributing to a more inclusive and diverse theatrical landscape.

RiffRaff NYC, with a commitment to creating opportunities for immigrant artists, is currently in the midst of a fundraising campaign. Their goal is to produce Shakespeare’s “A Midsummer Night’s Dream,” a project that aligns seamlessly with their dedication to fostering inclusivity in the arts. You can support their cause and contribute to the realization of this dream by visiting their fundraiser:

https://fundraising.fracturedatlas.org/riffraff-nyc-presents-a-midsummer-night-s-dream-by-william-shakespeare/campaigns/6142

In the upcoming interview, we delve into the world of Mila Besson, exploring her multifaceted journey as an artist. From her recent performance in the ensemble piece “Season 36” with The Labyrinth Theater Company to her directorial debut with the radio play “Death Valley takes a Holiday” at the Kraine Theater, Mila’s artistic prowess knows no bounds.

Notably, Mila recently received acclaim for her lead role in “Sapling,” a poignant drama picture designed to raise awareness about harassment. As the anticipation for her next venture, “Con Job,” directed by Ian Niles, builds, we catch a glimpse of Mila’s dynamic and versatile career.

Stay tuned for an insightful conversation with Mila Besson, a talent whose presence on stage is matched only by her dedication to the craft. Follow @riffraffnyc on Instagram for updates and behind-the-scenes glimpses, and visit RiffRaff NYC’s website to learn more about their mission and upcoming productions: https://www.riffraffnyc.org/

Mila Besson can be found on Instagram as @mila_besson, where she shares her love for food and offers a glimpse into her life both on and off the stage. Get ready to be captivated by the words and experiences of a remarkable artist shaping the narrative of contemporary theater in the city that never sleeps.

Let’s start by getting to know a bit about your background. Can you tell us where you’re from and share a bit about your upbringing?

“Thank you for having me. I am from France. I grew up in the suburbs of Paris in a French and Italian household. My mother’s side is from a very small town called Osnago in Italy, and I spent my summers there when I was young. That’s how I also learned Italian. I am the last of 5 kids, the loudest one for sure, and the only one doing performing arts. My mother introduced me to the stage when I was 5 because I wouldn’t stop singing. She herself was a dancer in her early years and tried to share the feeling of being on stage with me. Since this introduction, I can’t ever go too far from it.”

How did you become involved with RiffRaff NYC, and what drew you to participate in this Shakespeare showcase?

“I got involved because of Joe Staton, a brilliant actor and good friend. We crossed paths because we worked with the same people, and he talked about doing this Shakespeare showcase, which immediately caught my attention.”

Rosalind from As You Like It is such an iconic character. What aspects of Rosalind’s personality and journey do you find most intriguing as an actor?

“I think Rosalind is a very intelligent and quick-on-her-feet character. She is very interesting to play because she is very quickly leading her own destiny, taking matters into her own hands. I like that. She is bold and seems to have no fear when changing her appearance and playing, as well, a part. I also like her sensitivity and her want for love.”

You have a diverse acting background. Could you share some of your favorite roles or memorable experiences from your career so far?

“I have had the chance to play many diverse characters, and so far, I fell in love with Phaedra from Jerusalem by Jez Butterworth. She is very fragile, sensitive, and funny. A very touching part to play. I have loved playing Iris, an innocent climate change survivor and traveler. And I did a numerous number of characters in Cyrano de Bergerac, but it is my dream to one day play Cyrano. And I don’t think it was ever played by a woman…I’m manifesting it now.”

Are there any other projects you’re currently working on or upcoming roles you’re excited about?

“I am very excited to be performing in the upcoming festival at the Chain Theater in a short play called Not My Circus directed by Duncan Pflaster. And I will be shooting my first feature film directed by Ian Niles at the end of the month. Very excited about those projects.”

Shakespeare’s works are known for their universal themes. How has performing in As You Like It or other Shakespearean plays influenced your approach to acting and storytelling?

“It made me realize that studying the words, the meanings, should not only be for when you need to understand Shakespeare’s language. I used to be so afraid of Shakespeare’s speech and very relaxed when approaching contemporary works. I can admit that now I feel the opposite. Everything is in the text with William Shakespeare, but in our contemporary writings, it’s all about what is not said. I am attracted to both but definitely less worried when I have all I need on the page.”

Rosalind is a character who, at times, disguises herself as a man in As You Like It. How do you navigate the complexities of gender identity and expression in your portrayal of this particular role?

“I didn’t think it was a big struggle. I think of gender as something very fluid. When you look at the times when these plays were performed for the first time, women were not allowed on stage and therefore were acted by men disguised as women. For Rosalind, it would have been a man, disguised as a woman, that is on top of it disguised as a man. I think taking one layer out for me makes it easier. But I do love to see how all this gender identity evolved through the years, especially in 2024. I didn’t want to portray “man” or “woman” ‘s cliché. I guess I trusted the text and followed the descriptions on the page and let them give me something to work with.”

The showcase was not only a performance but also a fundraising event for RiffRaff NYC. How do you think this event contributes to the growth and mission of the company?

“This event is a beautiful way to grow the company as it is getting known and collaborating with maybe future fellows (wink wink). And I didn’t know before this event that Joe was putting on A Midsummer Night’s Dream, so good job, and looking forward to seeing it!”

Why do you think supporting the arts is important?

“Why not support is more what I wonder. If there were no arts, there would be no life for me. And for arts to survive, it needs support and your help, so donate to RiffRaff NYC!”

For the audience attending the showcase, what do you hope they take away from your performance as Rosalind, and how can they connect with the character on a personal level?

“I hope they can see a different version, a Mila version, a Rosalind that is true in her emotions and her pain. Anyone can connect to love, friendship, betrayal, or I hope.”

Thank you for sharing insights into your journey and the showcase. Before we wrap up, is there anything else you’d like to convey to the audience or share about your experience preparing for this performance?

“I hope to see you in an audience and come say hi afterward! Bisous bisous.”